1 00:00:01,293 --> 00:00:02,586 Man: CARROLL WAS CONVICTED IN 2004 2 00:00:02,586 --> 00:00:04,421 FOR THE MURDERS OF 14 YOUNG WOMEN. 3 00:00:04,421 --> 00:00:06,715 Parker: THE WARDEN GRANTED JOE CARROLL'S REQUEST FOR A TRANSFER. 4 00:00:06,715 --> 00:00:08,175 HE'S LEAVING. 5 00:00:08,175 --> 00:00:09,468 Ryan: JOE'S NOT IN THE TRANSPORT VEHICLE. 6 00:00:09,468 --> 00:00:11,846 WHERE THE HELL IS HE? 7 00:00:11,846 --> 00:00:13,973 Claire: SO JOE'S FREE, AND NOW I GET LOCKED UP. 8 00:00:13,973 --> 00:00:16,057 PROTECTIVE CUSTODY. BETTER IF I DON'T KNOW. 9 00:00:16,057 --> 00:00:17,601 Ryan: QUANTICO SENT IN A NEW GUY. 10 00:00:17,601 --> 00:00:19,478 NICK DONOVAN, TOP OF THE FOOD CHAIN. 11 00:00:19,478 --> 00:00:21,897 THIS INVESTIGATION STARTS AT MY DESK NOW. 12 00:00:21,897 --> 00:00:23,440 JOE CARROLL! 13 00:00:23,440 --> 00:00:24,775 HOW THE HELL ARE YOU? 14 00:00:24,775 --> 00:00:26,109 I'M RODERICK. 15 00:00:26,109 --> 00:00:28,445 Jacob: EMMA, WHY DID YOU LEAVE US? 16 00:00:28,445 --> 00:00:29,864 EMMA! 17 00:00:29,864 --> 00:00:31,281 ANY WORD FROM JACOB AND PAUL? 18 00:00:31,281 --> 00:00:32,574 THEY HAVEN'T CALLED. 19 00:00:32,574 --> 00:00:34,493 HANG ON. I'M GONNA GET US SOME HELP. 20 00:00:34,493 --> 00:00:35,786 THANK YOU. 21 00:00:35,786 --> 00:00:37,245 I LOVE MY WIFE. 22 00:00:37,245 --> 00:00:39,456 SHE'S NOT HERE. 23 00:00:39,456 --> 00:00:41,333 Roderick: LOSING CLAIRE WAS A MISTAKE, 24 00:00:41,333 --> 00:00:43,168 BUT I HAVE AN IDEA HOW WE CAN FIND HER. 25 00:00:43,168 --> 00:00:45,212 AGENT WESTON, TELL US WHERE CLAIRE IS. 26 00:00:45,212 --> 00:00:46,296 I DON'T KNOW ANYTHING. 27 00:00:46,296 --> 00:00:47,840 Parker: CLAIRE'S LOCATION. 28 00:00:47,840 --> 00:00:49,550 HE'S THE ONLY ONE WHO DOES KNOW WHERE CLAIRE IS. 29 00:00:49,550 --> 00:00:50,551 EVERYONE'S WAITING. 30 00:00:50,551 --> 00:00:52,302 WHAT FOR? FOR YOU. 31 00:00:53,846 --> 00:00:55,347 GOOD MORNING, EVERYBODY. 32 00:00:57,349 --> 00:00:59,267 Man: HOW DID CARROLL ESCAPE IN A HELICOPTER 33 00:00:59,267 --> 00:01:00,728 IN BROAD DAYLIGHT? 34 00:01:00,728 --> 00:01:01,896 CARROLL'S PEOPLE INFILTRATED THE PRISON SYSTEM, 35 00:01:01,896 --> 00:01:03,898 THE WARDEN WAS COMPROMISED. 36 00:01:03,898 --> 00:01:06,734 AGENT, PARKER HOW MANY PEOPLE ARE A PART OF JOE CARROLL'S CULT? 37 00:01:06,734 --> 00:01:08,276 EARLY EVIDENCE SUGGESTED SOMEWHERE UNDER 12, 38 00:01:08,276 --> 00:01:11,405 BUT IN LIGHT OF CARROLL'S RECENT ESCAPE, 39 00:01:11,405 --> 00:01:14,199 TACTICAL RESOURCES, MANPOWER, 40 00:01:14,199 --> 00:01:15,367 IT COULD BE UPWARDS OF A HUNDRED. 41 00:01:15,367 --> 00:01:16,744 HOW DID YOU ARRIVE AT THAT NUMBER? 42 00:01:16,744 --> 00:01:18,871 CARROLL'S VISITORS LOG IN PRISON CONTAINED 43 00:01:18,871 --> 00:01:20,330 47 FALSE IDENTITIES, 44 00:01:20,330 --> 00:01:23,042 AND HIS INTERNET USAGE, ALTHOUGH HEAVILY ENCRYPTED, 45 00:01:23,042 --> 00:01:24,835 SUGGESTED TWICE THAT MANY. 46 00:01:24,835 --> 00:01:26,253 THAT'S A GUESS AT BEST, AGENT. 47 00:01:26,253 --> 00:01:27,922 Woman: ARE WE LOOKING FOR A CULT COMPOUND 48 00:01:27,922 --> 00:01:29,006 LIKE WACO OR JONESTOWN? 49 00:01:29,006 --> 00:01:30,925 YES. WE BELIEVE THERE TO BE 50 00:01:30,925 --> 00:01:33,052 SOME SORT OF SAFE HAVEN. 51 00:01:33,052 --> 00:01:35,512 BUT YOU DON'T KNOW WHERE THAT IS. 52 00:01:35,512 --> 00:01:37,973 NO. WE DON'T. 53 00:01:39,641 --> 00:01:41,602 Ryan: OUR WORKING THEORY IS THAT IT'S 54 00:01:41,602 --> 00:01:44,605 WITHIN A 3-STATE RADIUS OF VIRGINIA. 55 00:01:44,605 --> 00:01:45,814 LET ME GET THIS STRAIGHT. 56 00:01:45,814 --> 00:01:47,106 THERE'S AN ORGANIZED GATHERING 57 00:01:47,106 --> 00:01:48,943 OF DOZENS OF KILLERS OUT THERE, 58 00:01:48,943 --> 00:01:50,945 AND YOU HAVE NO IDEA WHERE THEY ARE. 59 00:01:50,945 --> 00:01:52,404 Donovan: CAN I JUST REMIND EVERYONE 60 00:01:52,404 --> 00:01:55,074 THAT THIS IS A BRIEFING AND NOT AN INQUISITION? 61 00:01:55,074 --> 00:01:56,533 WHO ARE THESE PEOPLE HE RECRUITS? 62 00:01:56,533 --> 00:01:57,993 THEY CAN'T ALL BE SERIAL KILLERS. 63 00:01:57,993 --> 00:01:59,828 HE HAS RECRUITED FROM ALL WALKS OF LIFE-- 64 00:01:59,828 --> 00:02:04,041 HOUSEWIVES, TEACHERS, ACCOUNTANTS, MILITARY, LAW ENFORCEMENT. 65 00:02:04,041 --> 00:02:05,793 Parker: ALL OF WHOM FIT THE PERSONALITY TYPES 66 00:02:05,793 --> 00:02:07,711 ASSOCIATED WITH CULT SUSCEPTIBILITY-- 67 00:02:07,711 --> 00:02:10,464 EMPTY, LOST, MALADJUSTED. 68 00:02:10,464 --> 00:02:12,132 THEY'RE FULL-BLOW PSYCHOPATHS. 69 00:02:12,132 --> 00:02:13,717 THE ACOLYTES THAT WE'VE ENCOUNTERED HAVE RUN THE GAMUT 70 00:02:13,717 --> 00:02:15,469 FROM VISIONARY TO HEDONISTIC, 71 00:02:15,469 --> 00:02:17,721 ONE-TIME KILLERS, MISSION-ORIENTED KILLERS, 72 00:02:17,721 --> 00:02:19,598 FANS OF KILLERS, GROUPIES. 73 00:02:19,598 --> 00:02:22,601 MR. HARDY, AN AGENT WAS CAPTURED AND ASSAULTED BY CULT MEMBERS. 74 00:02:22,601 --> 00:02:24,352 WAS HE ABLE TO IDENTIFY HIS CAPTORS? 75 00:02:24,352 --> 00:02:26,229 THAT AGENT-- MIKE WESTON-- 76 00:02:26,229 --> 00:02:27,982 WE HAVE A SKETCH ARTIST STANDING BY 77 00:02:27,982 --> 00:02:29,566 FOR THE MOMENT HE REGAINS CONSCIOUSNESS. 78 00:02:29,566 --> 00:02:30,943 AND HIS CULT-- HAVE YOU IDENTIFIED 79 00:02:30,943 --> 00:02:32,653 THEIR RELIGION OR MANIFESTO? 80 00:02:32,653 --> 00:02:35,572 Parker: BOTH A NOVELIST AND A PROFESSOR, 81 00:02:35,572 --> 00:02:37,950 CARROLL'S USING LITERARY THEMES FOUND 82 00:02:37,950 --> 00:02:39,785 IN THE WORKS OF GOTHIC ROMANTICISM. 83 00:02:39,785 --> 00:02:43,330 Carroll: "ALL THAT WE SEE OR SEEM 84 00:02:43,330 --> 00:02:48,127 IS BUT A DREAM WITHIN A DREAM." 85 00:02:48,127 --> 00:02:50,879 THAT IS WHAT THIS MOMENT IS FOR ME. 86 00:02:50,879 --> 00:02:53,674 Ryan: HE'S SPEAKING TO HIS SUBJECTS 87 00:02:53,674 --> 00:02:57,011 WITH THE PROMISE OF ELEVATING THEIR LIVES-- 88 00:02:57,011 --> 00:02:59,387 THROUGH DEATH, ONE EXPERIENCES LIFE. 89 00:02:59,387 --> 00:03:05,435 Carroll: I WILL NEVER FORGET WHAT YOU HAVE ALL DONE FOR ME, 90 00:03:05,435 --> 00:03:08,689 THE SACRIFICES YOU HAVE MADE, 91 00:03:08,689 --> 00:03:12,151 BUT NOW THE TIME HAS COME FOR YOU... 92 00:03:12,151 --> 00:03:14,903 Ryan: BY HIS OWN ADMISSION, CARROLL HAS ENGAGED HIS FOLLOWERS 93 00:03:14,903 --> 00:03:16,905 TO WRITE THEIR OWN CHAPTERS, 94 00:03:16,905 --> 00:03:20,408 BECOME PART OF THIS NOVEL THAT HE'S WRITING. 95 00:03:20,408 --> 00:03:25,372 I WANT TO HEAR FROM EACH AND EVERY ONE OF YOU. 96 00:03:25,372 --> 00:03:27,082 TELL ME... 97 00:03:27,082 --> 00:03:30,418 WHAT INSPIRES YOU. 98 00:03:30,418 --> 00:03:32,629 I NEED YOUR HELP 99 00:03:32,629 --> 00:03:36,842 TO FINISH OUR STORY. 100 00:03:36,842 --> 00:03:38,343 Parker: HE'S UNITED WITH HIS PEOPLE. 101 00:03:38,343 --> 00:03:41,055 HE WILL DO SOMETHING TO IGNITE THEM TO ACTION. 102 00:03:41,055 --> 00:03:42,639 Carroll: I SEE IT IN YOUR EYES. 103 00:03:42,639 --> 00:03:45,225 I KNOW YOU ARE READY. 104 00:03:46,977 --> 00:03:49,646 IT'S TIME FOR HIM TO TELL THE NEXT PART OF HIS STORY. 105 00:03:52,107 --> 00:03:54,068 AND SO WE BEGIN. 106 00:04:01,992 --> 00:04:03,827 THAT DIDN'T GO WELL. 107 00:04:03,827 --> 00:04:05,829 EH, TOO MANY PEOPLE HAVE DIED. 108 00:04:05,829 --> 00:04:07,998 IT'S A PR NIGHTMARE. 109 00:04:07,998 --> 00:04:09,041 GOT TO BLAME SOMEONE. 110 00:04:09,041 --> 00:04:10,500 AGENT PARKER! 111 00:04:10,500 --> 00:04:13,378 I JUST HEARD FROM FRANKLIN. 112 00:04:13,378 --> 00:04:15,047 WILL YOU EXCUSE US? 113 00:04:17,174 --> 00:04:18,842 I'LL WAIT IN THE CAR. 114 00:04:21,428 --> 00:04:22,971 AM I OUT? 115 00:04:22,971 --> 00:04:24,806 I KNOW THEY'RE DISCUSSING IT. JUST TELL ME. 116 00:04:24,806 --> 00:04:27,976 NO, BUT THEY ARE TAKING THE OPERATION CONTROL TO D.C. 117 00:04:27,976 --> 00:04:30,520 WHERE DOES THAT LEAVE ME? 118 00:04:30,520 --> 00:04:33,815 EVERYONE RECOGNIZES THAT RYAN HARDY'S INTEGRAL TO ALL THIS, 119 00:04:33,815 --> 00:04:35,525 BUT HE'S A WILD CARD. 120 00:04:35,525 --> 00:04:38,612 THEY WANT YOU TO STAY ON, HOLD HIS HAND. 121 00:04:38,612 --> 00:04:40,321 YOU'LL KEEP YOUR TASKFORCE HERE 122 00:04:40,321 --> 00:04:42,699 AND CONTINUE TO REPORT TO ME. 123 00:04:45,035 --> 00:04:46,578 UNDERSTOOD. 124 00:05:45,220 --> 00:05:48,431 JACOB. 125 00:05:48,431 --> 00:05:49,850 MOM. 126 00:05:52,186 --> 00:05:57,482 FOR, UH, MY CHAPTER, I THOUGHT I... 127 00:05:57,482 --> 00:06:01,528 I'M SORRY. I'VE BEEN WORKING ON THIS FOREVER. 128 00:06:01,528 --> 00:06:03,989 I'M JUST SO NERVOUS WITH YOU HERE. 129 00:06:03,989 --> 00:06:07,366 UM, WHERE WAS I? 130 00:06:07,366 --> 00:06:08,910 YES. MY CHAPTER. 131 00:06:08,910 --> 00:06:11,788 IT'S OK. HEY. RELAX. 132 00:06:11,788 --> 00:06:14,208 COME ON. SHAKE IT OUT. SHAKE IT OUT. 133 00:06:14,208 --> 00:06:15,750 OH. OK. 134 00:06:20,088 --> 00:06:23,050 THANK YOU FOR SEEING ME. 135 00:06:23,050 --> 00:06:25,802 I'VE BEEN WANTING TO VISIT FOR SO LONG NOW. 136 00:06:25,802 --> 00:06:28,096 I KNOW I MUST SEEM LIKE SOME GROUPIE TO YOU. 137 00:06:28,096 --> 00:06:30,849 NO. NO, AMANDA. NO. 138 00:06:30,849 --> 00:06:34,393 I FOUND YOUR LETTERS REALLY QUITE MOVING. 139 00:06:34,393 --> 00:06:36,730 I'M GLAD TO FINALLY MEET YOU, 140 00:06:36,730 --> 00:06:40,234 AND YOU WROTE IN YOUR LAST ONE 141 00:06:40,234 --> 00:06:41,985 THAT SOMETHING HAD HAPPENED. WHAT? 142 00:06:41,985 --> 00:06:46,907 YES, BUT I--I COULDN'T WRITE IT IN A LETTER. 143 00:06:46,907 --> 00:06:50,244 LET ME GUESS. YOUR HUSBAND. 144 00:06:50,244 --> 00:06:51,828 YOU KNOW, HE WAS CHEATING ON ME 145 00:06:51,828 --> 00:06:53,412 WITH THAT BONEY-ASS THING HE WORKS WITH-- 146 00:06:53,412 --> 00:06:55,498 LINDSAY, THE ONE WITH THE HUGE FAKE THINGS-- 147 00:06:55,498 --> 00:06:58,377 RIGHT UNDER MY NOSE IN MY BED. 148 00:06:58,377 --> 00:07:00,461 I COULD SMELL IT ON MY SHEETS. 149 00:07:00,461 --> 00:07:02,797 I KNEW YOU HAD YOUR SUSPICIONS. 150 00:07:02,797 --> 00:07:06,134 YOU WROTE IN A LETTER, 151 00:07:06,134 --> 00:07:09,804 "INSIST ON HAPPINESS." 152 00:07:11,514 --> 00:07:16,477 SO I TOOK A SHOTGUN TO BOTH OF THEM. 153 00:07:16,477 --> 00:07:18,313 MY DADDY WAS BIG ON GAMING. 154 00:07:18,313 --> 00:07:20,440 HE COULD HUNT ANYTHING. 155 00:07:20,440 --> 00:07:22,734 I KNOW MY WAY AROUND ANIMALS, 156 00:07:22,734 --> 00:07:25,112 SO I WENT TO A HARDWARE STORE 157 00:07:25,112 --> 00:07:27,364 AND BOUGHT A HATCHET, ELECTRIC HACKSAW, 158 00:07:27,364 --> 00:07:29,116 SOME AMMONIA, AND A BUCKET. 159 00:07:29,116 --> 00:07:31,201 IT TOOK A FEW DAYS TO BAG THEM UP. 160 00:07:31,201 --> 00:07:33,161 THEN I DROVE TO FLORIDA AND DUMPED IN A SWAMP 161 00:07:33,161 --> 00:07:35,330 AND DROVE STRAIGHT HERE. 162 00:07:35,330 --> 00:07:37,582 THEY'RE GONNA FIND SOME PIECES. 163 00:07:37,582 --> 00:07:40,377 THEY CAN DNA AND CSI THAT STUFF. 164 00:07:40,377 --> 00:07:42,462 THEY'LL COME FOR ME. 165 00:07:42,462 --> 00:07:45,215 DO YOU HAVE TO GO BACK TO OKLAHOMA? 166 00:07:45,215 --> 00:07:49,677 I DON'T HAVE ANYWHERE TO GO, JOE. 167 00:07:52,597 --> 00:07:54,599 I HAVE A FRIEND. 168 00:07:54,599 --> 00:07:57,185 HIS NAME IS RODERICK. 169 00:07:57,185 --> 00:08:02,065 HE'S BEEN KNOWN TO HELP OTHER FRIENDS OF MINE. 170 00:08:02,065 --> 00:08:05,860 I'M SURE HE'D BE ABLE TO GIVE YOU A PLACE TO STAY. 171 00:08:09,990 --> 00:08:13,327 YOU LOVE YOUR WIFE. 172 00:08:13,327 --> 00:08:15,412 I KNOW YOU WANT HER BACK, 173 00:08:15,412 --> 00:08:20,375 AND I WANT THAT FOR YOU, JOE. 174 00:08:20,375 --> 00:08:26,465 I WANT MY CHAPTER TO HAVE A HAPPY ENDING. 175 00:08:29,759 --> 00:08:31,178 GO ON. 176 00:08:39,394 --> 00:08:40,812 JACOB. 177 00:08:40,812 --> 00:08:42,397 WHAT? 178 00:08:44,649 --> 00:08:46,901 HE'S MY FRIEND, MOM, AND HE'S HURT. 179 00:08:46,901 --> 00:08:48,528 I RECOGNIZE HIM. 180 00:08:48,528 --> 00:08:50,989 YOUR FACES ARE PLASTERED ALL OVER THE NEWS. 181 00:08:50,989 --> 00:08:54,659 YOU'RE A WANTED FUGITIVE-- KIDNAPPING, MURDER? 182 00:08:54,659 --> 00:08:56,119 I NEVER KILLED ANYBODY, MOM. 183 00:08:56,119 --> 00:08:57,954 THE FBI SAID YOU DID. WELL, I HAVEN'T. 184 00:08:57,954 --> 00:09:00,248 THEY SAY THAT YOU'RE INVOLVED WITH THAT SERIAL KILLER, 185 00:09:00,248 --> 00:09:01,582 YOU'RE PART OF A CULT. 186 00:09:01,582 --> 00:09:04,878 I DIDN'T SAY THAT I WAS INNOCENT. 187 00:09:04,878 --> 00:09:06,004 WHY ARE YOU HERE? 188 00:09:06,004 --> 00:09:08,256 BECAUSE IT'S IMPOSSIBLE AT HOME. 189 00:09:08,256 --> 00:09:11,468 THERE ARE FEDERAL AGENTS PATROLLING OUR HOUSE. 190 00:09:11,468 --> 00:09:15,514 REPORTERS ARE FOLLOWING YOUR FATHER TO WORK. 191 00:09:15,514 --> 00:09:18,225 WELL, THAT'S A BUMMER. 192 00:09:18,225 --> 00:09:19,684 POOR GUY. 193 00:09:21,560 --> 00:09:23,980 HELP ME UNDERSTAND THIS, JACOB. 194 00:09:25,564 --> 00:09:27,108 I'M YOU'RE MOTHER, AND I LOVE YOU, 195 00:09:27,108 --> 00:09:29,736 BUT I DON'T UNDERSTAND THIS. 196 00:09:34,741 --> 00:09:37,536 I DON'T THINK THAT I CAN EXPLAIN. 197 00:09:52,592 --> 00:09:54,135 Ryan: NO, DETECTIVE. 198 00:09:54,135 --> 00:09:55,803 I'M STARING AT IT RIGHT NOW. 199 00:09:55,803 --> 00:09:58,056 THAT'S NOT PAUL TORRES, THAT'S NOT JACOB WELLS. 200 00:09:58,056 --> 00:10:00,725 NOPE. ABSOLUTELY SURE. 201 00:10:00,725 --> 00:10:02,519 NEITHER MAN. 202 00:10:02,519 --> 00:10:04,521 NOPE. NOT A WASTE OF MY TIME. THANKS. 203 00:10:04,521 --> 00:10:06,314 COMPLETE WASTE OF MY TIME. 204 00:10:06,314 --> 00:10:08,316 THIS IS THE CHIEF HOMICIDE DETECTIVE IN DALLAS. 205 00:10:08,316 --> 00:10:10,151 I'M SORRY. I LET IT THROUGH. 206 00:10:10,151 --> 00:10:12,487 HE WAS CONVINCED. 207 00:10:12,487 --> 00:10:13,613 RYAN HARDY. 208 00:10:13,613 --> 00:10:16,366 Carroll: HELLO, RYAN. 209 00:10:16,366 --> 00:10:18,076 WHAT CAN I DO FOR YOU, JOE? 210 00:10:18,076 --> 00:10:21,121 I JUST WANTED TO SEE HOW YOUR FRIEND AGENT WESTON WAS DOING. 211 00:10:21,121 --> 00:10:24,541 I HEARD THAT HE TOOK QUITE A BEATING. 212 00:10:24,541 --> 00:10:27,043 HE'S EXPECTED TO MAKE A FULL RECOVERY. 213 00:10:27,043 --> 00:10:30,255 OH. OH. THAT'S GOOD-- GOOD TO HEAR. 214 00:10:30,255 --> 00:10:32,466 SORRY ABOUT YOUR FRIENDS, THOUGH. 215 00:10:32,466 --> 00:10:34,551 THEY'RE KIND OF DEAD. 216 00:10:34,551 --> 00:10:37,887 THAT'S OK. I HAVE MORE. HEH. 217 00:10:39,847 --> 00:10:43,101 SO WHAT DO YOU WANT, JOE? 218 00:10:43,101 --> 00:10:44,894 YOU KNOW, JUST A CHAT. 219 00:10:44,894 --> 00:10:48,273 I'M FEELING A-A BIT DOWN. 220 00:10:48,273 --> 00:10:52,527 TELL ME, DO YOU MISS CLAIRE, RYAN? 221 00:10:52,527 --> 00:10:54,195 I KNOW I DO. 222 00:10:54,195 --> 00:10:56,615 IRONICALLY, YOU'RE THE ONLY PERSON 223 00:10:56,615 --> 00:10:59,451 WHO REALLY UNDERSTANDS HOW I FEEL AT THE MOMENT, 224 00:10:59,451 --> 00:11:02,954 BEING WE BOTH LOVE THE SAME WOMAN. 225 00:11:02,954 --> 00:11:07,334 WHY IS LOVE SO PUNISHING, RYAN? 226 00:11:07,334 --> 00:11:08,460 Come on. Get something. 227 00:11:08,460 --> 00:11:09,586 He's on a satellite phone. 228 00:11:09,586 --> 00:11:10,962 It's sending me to Singapore. 229 00:11:10,962 --> 00:11:12,339 Link to Homeland, see if they can intercept. 230 00:11:12,339 --> 00:11:13,590 Carroll: LOVE'S ELATION ALWAYS SEEMS TO 231 00:11:13,590 --> 00:11:15,800 TURN TO PAIN. 232 00:11:15,800 --> 00:11:20,430 HOW TRUE THE ADAGE "LOVE HURTS," HUH? 233 00:11:20,430 --> 00:11:27,228 TELL ME, HOW MUCH-- HOW MUCH HURT CAN ONE MAN ENDURE, RYAN? 234 00:11:28,522 --> 00:11:33,776 AT, UH, WHAT POINT DOES HE BREAK? 235 00:11:33,776 --> 00:11:35,820 YOU MUST LET ME KNOW. 236 00:11:46,747 --> 00:11:48,707 I CAN'T REMEMBER. WHAT IS GOOD HERE? 237 00:11:48,707 --> 00:11:51,294 DID I GET THE HAMBURGER STEAK LAST TIME? 238 00:11:51,294 --> 00:11:53,712 YOU LIKED IT, DIDN'T LOVE IT. 239 00:11:53,712 --> 00:11:55,382 THAT'S FINE. WILL YOU ORDER? 240 00:11:55,382 --> 00:11:56,924 UH, NO ONIONS, GRAVY ON THE FRIES. 241 00:11:56,924 --> 00:11:58,801 I'M GONNA WASH MY HANDS. 242 00:12:14,192 --> 00:12:17,028 I'M SORRY. CAN I HELP YOU? 243 00:12:17,028 --> 00:12:18,905 YES, YOU CAN. 244 00:12:18,905 --> 00:12:20,781 I NEED YOU TO GIVE SOMEONE A MESSAGE. 245 00:12:20,781 --> 00:12:23,326 I'M SORRY. DO I KNOW YOU? 246 00:12:23,326 --> 00:12:25,495 WHAT ARE YOU DOING? WHAT'S IN YOUR HANDS? 247 00:12:25,495 --> 00:12:27,121 OH, IT'S NOTHING REALLY. 248 00:12:27,121 --> 00:12:28,915 I NEED YOU TO DO SOMETHING FOR ME. 249 00:12:28,915 --> 00:12:30,417 IT'S LIKE A FAVOR. 250 00:12:30,417 --> 00:12:33,670 THERE'S THIS MAN NAMED RYAN HARDY. 251 00:12:33,670 --> 00:12:36,047 I THINK YOU HAVE THE WRONG TABLE. 252 00:12:36,047 --> 00:12:38,299 THIS IS IMPORTANT. 253 00:12:38,299 --> 00:12:41,928 YOU NEED TO TELL RYAN HARDY THAT SOME-- 254 00:12:41,928 --> 00:12:45,265 SOMETIMES LOVE HURTS. 255 00:12:45,265 --> 00:12:47,100 CAN YOU REMEMBER THAT? 256 00:12:47,100 --> 00:12:48,476 HEY. HI. 257 00:12:48,476 --> 00:12:50,311 WHO IS THIS? I DON'T KNOW. 258 00:12:50,311 --> 00:12:51,770 SHE HAS SOMETHING IN HER HANDS. 259 00:12:51,770 --> 00:12:53,314 WHAT DO YOU HAVE THERE? 260 00:12:53,314 --> 00:12:55,483 A CUSTOMIZED 24-INCH PRESSURIZED SPEAR GUN 261 00:12:55,483 --> 00:12:57,318 MAINLY USED FOR DEEP SEA FISHING. 262 00:12:57,318 --> 00:12:58,737 WHAT ARE YOU GONNA DO WITH THAT? 263 00:13:00,614 --> 00:13:04,075 I'M SORRY. I DIDN'T MEAN TO LAUGH. 264 00:13:04,075 --> 00:13:05,201 I'M GONNA TRY IT OUT. 265 00:13:06,286 --> 00:13:08,204 UNH! OH, MY GOD! 266 00:13:08,204 --> 00:13:10,915 OH, MY GOD! HELP! SHE'S BLEEDING! 267 00:13:10,915 --> 00:13:13,126 DON'T FORGET WHAT I TOLD YOU. 268 00:13:13,126 --> 00:13:14,919 OH, MY GOD! HELP ME! SOMEBODY HELP ME! 269 00:13:14,919 --> 00:13:17,255 THANK YOU. 270 00:13:17,255 --> 00:13:18,965 OH, MY GOD! HELP ME! 271 00:13:18,965 --> 00:13:20,300 SHE'S BLEEDING! 272 00:13:20,300 --> 00:13:23,052 HELP ME! SOMEBODY, HELP ME! 273 00:13:40,111 --> 00:13:44,741 Woman: AND THEN SHE JUST WALKED RIGHT OUT THE DOOR. 274 00:13:44,741 --> 00:13:49,870 SHE SAID, "TELL RYAN HARDY THAT LOVE HURTS." 275 00:13:49,870 --> 00:13:51,665 I DON'T UNDERSTAND. 276 00:13:51,665 --> 00:13:53,832 WHY WOULD SHE KILL CLAIRE? 277 00:13:56,210 --> 00:13:57,836 EXCUSE ME, MA'AM. 278 00:13:57,836 --> 00:14:00,340 HI. UH, YOUR FRIEND CLAIRE DOBKINS, 279 00:14:00,340 --> 00:14:03,092 WAS SHE MARRIED? 280 00:14:03,092 --> 00:14:05,136 SHE WAS SEPARATED. 281 00:14:05,136 --> 00:14:06,845 WHY? 282 00:14:06,845 --> 00:14:08,682 WHAT WAS HER MAIDEN NAME? 283 00:14:10,350 --> 00:14:12,268 IT WAS MATTHEWS. 284 00:14:14,437 --> 00:14:18,650 HEY! YOU NEED TO MAKE SURE CLAIRE IS SAFE. 285 00:14:18,650 --> 00:14:20,151 SHE IS SAFE. WE MOVED HER TO A NEW LOCATION 286 00:14:20,151 --> 00:14:21,569 AFTER WESTON'S ATTACK. 287 00:14:21,569 --> 00:14:22,737 CHECK AGAIN. CONFIRM IT. 288 00:14:22,737 --> 00:14:23,904 SHE'S SAFE, RYAN. 289 00:14:23,904 --> 00:14:25,323 SHE CAN'T TURN ON THE TV, OK? 290 00:14:25,323 --> 00:14:26,700 IF SHE SEES THIS, IT'S GOING TO KILL HER. 291 00:14:26,700 --> 00:14:28,159 YOU'RE OVERREACTING. LET ME DO THEIR JOB. 292 00:14:28,159 --> 00:14:29,202 YOU NEED TO TAKE AWAY ALL MEDIA ACCESS. 293 00:14:29,202 --> 00:14:30,537 JUST DO IT! 294 00:14:32,913 --> 00:14:34,374 HEY. YOU OK? 295 00:14:34,374 --> 00:14:35,834 I'M FINE. I'M GOOD, I'M GOOD. 296 00:14:35,834 --> 00:14:37,585 IT'S JUST... 297 00:14:37,585 --> 00:14:41,756 JOE SAID, "HOW MUCH HURT CAN ONE MAN ENDURE? 298 00:14:41,756 --> 00:14:43,216 HE'S TRYING TO BREAK YOU. 299 00:14:43,216 --> 00:14:45,968 BY TARGETING WOMEN WITH HIS WIFE'S NAME. 300 00:14:45,968 --> 00:14:48,847 I MEAN, HOW MANY CLAIRE MATTHEWS ARE OUT THERE? 301 00:14:53,768 --> 00:14:55,144 Paul: UNH! 302 00:14:56,730 --> 00:14:58,022 YOUR WOUND IS INFECTED. 303 00:14:58,022 --> 00:14:59,733 CAN YOU HELP ME? 304 00:14:59,733 --> 00:15:01,735 YOU'RE A NURSE, RIGHT? 305 00:15:01,735 --> 00:15:03,110 JACOB SAID YOU WERE A NURSE. 306 00:15:03,110 --> 00:15:06,656 I WAS. I'M NOT ANYMORE. 307 00:15:08,783 --> 00:15:11,703 WHO ARE YOU CALLING? WHO ARE YOU CALLING? 308 00:15:11,703 --> 00:15:14,247 I'M LEAVING ANOTHER MESSAGE FOR EMMA. 309 00:15:14,247 --> 00:15:17,500 SHE'S NOT GONNA CALL YOU BACK. 310 00:15:17,500 --> 00:15:21,045 DON'T YOU GET IT? SHE LEFT US. 311 00:15:21,045 --> 00:15:23,130 SHE LEFT US TO DIE. 312 00:15:23,130 --> 00:15:25,007 AT THE FARMHOUSE? 313 00:15:25,007 --> 00:15:28,219 I--I NEVER TRUSTED HER. 314 00:15:28,219 --> 00:15:30,680 SHE NEVER TRUSTED ME EITHER. 315 00:15:32,849 --> 00:15:34,267 HER NAME IS ROBYN STEWART. 316 00:15:34,267 --> 00:15:36,060 SHE WORKS AT THE MOSER PLANT NEAR THE BOATYARD. 317 00:15:36,060 --> 00:15:39,063 I'VE BEEN WATCHING HER FOR A FEW MONTHS NOW. 318 00:15:39,063 --> 00:15:41,274 I THINK SHE'S PERFECT FOR YOU. 319 00:15:43,484 --> 00:15:45,570 WHAT? YOU MEAN, YOU WANT ME TO DO THIS BY MYSELF? 320 00:15:45,570 --> 00:15:46,863 YEAH. WHY NOT? 321 00:15:46,863 --> 00:15:47,947 YOU DON'T TRUST ME. 322 00:15:47,947 --> 00:15:48,989 IT'S NOT THAT. 323 00:15:48,989 --> 00:15:50,074 EMMA, I'VE KILLED BEFORE. 324 00:15:50,074 --> 00:15:52,452 BUT NOT WITH US. 325 00:15:52,452 --> 00:15:54,746 LOOK. IF IT WILL MAKE YOU FEEL BETTER, 326 00:15:54,746 --> 00:15:56,497 JACOB WILL GO WITH YOU. 327 00:16:07,634 --> 00:16:09,844 LOOK. I WANT TO BE HERE, ALL RIGHT? 328 00:16:09,844 --> 00:16:11,554 I MOVED HERE, DIDN'T I? 329 00:16:11,554 --> 00:16:14,599 I GAVE UP EVERYTHING IN EL PASO JUST TO BE NEAR JOE. 330 00:16:22,022 --> 00:16:26,319 LOOK. YOU CAN TRUST ME, I PROMISE. 331 00:16:26,319 --> 00:16:28,279 AND YOU CAN TRUST ME. 332 00:16:28,279 --> 00:16:29,614 I CAN'T TRUST YOU. 333 00:16:29,614 --> 00:16:31,073 I CAN'T TRUST YOU. 334 00:16:31,073 --> 00:16:32,325 I CAN'T TRUST YOU. 335 00:16:32,325 --> 00:16:34,076 HEY. HEY! 336 00:16:34,076 --> 00:16:36,245 EASY, EASY, EASY. 337 00:16:36,245 --> 00:16:38,289 SHH. 338 00:16:38,289 --> 00:16:39,707 I'M SORRY. 339 00:16:41,584 --> 00:16:42,919 I'M SORRY. 340 00:16:48,215 --> 00:16:49,759 Woman on TV: WE'RE REPORTING LIVE FROM A DINER 341 00:16:49,759 --> 00:16:51,302 IN THE UNION HILL DISTRICT, 342 00:16:51,302 --> 00:16:54,012 WHERE EARLIER TODAY A WOMAN WAS BRUTALLY MURDERED. 343 00:16:54,012 --> 00:16:56,516 THIS IS ANOTHER IN A SERIES OF SLAYINGS ATTRIBUTED 344 00:16:56,516 --> 00:16:59,310 TO SERIAL KILLER JOE CARROLL AND HIS CULT OF KILLERS... 345 00:16:59,310 --> 00:17:00,645 IS EVERYTHING OK? 346 00:17:00,645 --> 00:17:02,313 MMM. VERY MUCH SO. 347 00:17:02,313 --> 00:17:04,691 I WAS QUITE WORRIED ABOUT OUR NERVOUS LITTLE AMANDA, 348 00:17:04,691 --> 00:17:08,486 BUT SHE APPEARS TO BE RATHER PROFICIENT WITH HER WEAPONS. 349 00:17:08,486 --> 00:17:10,321 Reporters: SOURCES TELL US THAT MS. MATTHEWS 350 00:17:10,321 --> 00:17:12,573 WAS PLACED IN PROTECTIVE CUSTODY 351 00:17:12,573 --> 00:17:15,994 SINCE HER EX-HUSBAND'S RECENT PRSION ESCAPE. 352 00:17:21,958 --> 00:17:23,751 ARE WE OK? 353 00:17:23,751 --> 00:17:29,256 I'M NOT SURE WE SHOULD ADVERTISE OUR INDISCRETION. 354 00:17:31,592 --> 00:17:35,304 IS IT REALLY SO BAD? 355 00:17:35,304 --> 00:17:40,935 I THOUGHT IT WAS WORTH IT PERSONALLY. 356 00:17:40,935 --> 00:17:45,272 RODERICK, UM, IS THERE ANY NEWS ON JACOB OR PAUL? 357 00:17:45,272 --> 00:17:48,067 NO, NO. NOT YET. I'LL KEEP LOOKING. 358 00:17:48,067 --> 00:17:51,320 YES. YES. THANK YOU. 359 00:17:51,320 --> 00:17:55,449 I'M SURE EMMA WOULD BE MOST GRATEFUL. 360 00:18:09,047 --> 00:18:11,090 I'M SORRY ABOUT THAT, MOM. 361 00:18:11,090 --> 00:18:14,260 SHE'S GOT SEPSIS. YOU REALIZE THAT? 362 00:18:16,470 --> 00:18:21,475 IF YOU DON'T GET HIM TO A HOSPITAL IMMEDIATELY, HE'S GOING TO DIE. 363 00:18:21,475 --> 00:18:23,895 CAN YOU HELP HIM? 364 00:18:23,895 --> 00:18:25,605 HE NEEDS A BLOOD TRANSFUSION, 365 00:18:25,605 --> 00:18:29,901 ANTIBIOTICS, SURGERY WHEN HE'S STABLE. 366 00:18:29,901 --> 00:18:32,361 YOU NEED TO GET HIM TO A HOSPITAL. 367 00:18:39,660 --> 00:18:41,120 YOU SHOULD GO NOW. 368 00:18:42,455 --> 00:18:45,833 BEFORE YOUR FATHER GETS HERE. 369 00:18:45,833 --> 00:18:47,501 HE'S ON HIS WAY. 370 00:18:49,629 --> 00:18:51,422 Donavan: LOUISE SINCLAIR WE KNOW, 371 00:18:51,422 --> 00:18:52,799 AND THIS IS AMANDA PORTER. 372 00:18:52,799 --> 00:18:54,174 SHE'S WANTED FOR MURDER IN OKLAHOMA CITY. 373 00:18:54,174 --> 00:18:55,426 IT'S BELIEVE SHE KILLED HER HUSBAND 374 00:18:55,426 --> 00:18:56,886 AND THE WOMAN HE WAS SLEEPING WITH. 375 00:18:56,886 --> 00:18:58,304 THEIR DISMEMBERED REMAINS WERE DISCOVERED 376 00:18:58,304 --> 00:18:59,973 IN A FLORIDA SWAMP IN '07. 377 00:18:59,973 --> 00:19:02,182 Ryan: OK. SO WE GOT 87 CLAIRE MATTHEWS IN THE U.S., 378 00:19:02,182 --> 00:19:03,851 14 IN THE STATE. 379 00:19:03,851 --> 00:19:05,770 5, INCLUDING JOE CARROLL'S EX, 380 00:19:05,770 --> 00:19:07,187 RESIDE IN THE RICHMOND AREA. 381 00:19:07,187 --> 00:19:08,898 WE'RE IN THE PROCESS OF LOCATING THEM NOW. 382 00:19:08,898 --> 00:19:10,357 Mitchell: CLAIRE MATTHEWS ON MONROE DRIVE, SHE'S SAFE. 383 00:19:10,357 --> 00:19:11,818 LOCAL PD HAVE HER. 384 00:19:11,818 --> 00:19:13,152 Ryan: GOOD. THAT'S ONE. 3 MORE TO FIND. 385 00:19:13,152 --> 00:19:15,613 COME ON. LET'S GO, LET'S GO. 386 00:19:26,124 --> 00:19:28,501 HELLO? 387 00:19:28,501 --> 00:19:33,006 WHAT? 388 00:19:33,006 --> 00:19:35,508 AUTHORITIES ARE ASKING ANYONE NAMED CLAIRE MATTHEWS 389 00:19:35,508 --> 00:19:38,761 TO PLEASE CONTACT THEIR LOCAL LAW ENFORCEMENT. 390 00:19:40,554 --> 00:19:42,015 SOMEONE'S AT THE DOOR. 391 00:19:45,351 --> 00:19:46,435 WHO IS IT? 392 00:19:46,435 --> 00:19:47,687 Woman: IT'S THE POLICE 393 00:19:47,687 --> 00:19:48,729 WE ARE LOOKING FOR CLAIRE MATTHEWS. 394 00:19:48,729 --> 00:19:50,940 HANG ON. IT'S THE POLICE. 395 00:20:13,046 --> 00:20:15,297 Donovan: JOE CARROLL IS TARGETING WOMEN WITH THE SAME NAME AS HIS WIFE. 396 00:20:15,297 --> 00:20:16,924 WE HAVE LAW ENFORCEMENT ACROSS THE COUNTRY 397 00:20:16,924 --> 00:20:18,801 RESPONDING TO THIS THREAT, BUT WE NEED YOUR HELP LOCALLY 398 00:20:18,801 --> 00:20:20,761 TO GET THE WORD OUT AND BE ON ALERT. 399 00:20:20,761 --> 00:20:23,430 THIS IS OUR SUSPECT AMANDA PORTER, 400 00:20:23,430 --> 00:20:27,643 35 YEARS OF AGE, WANTED IN SUSPICION OF AT LEAST TWO MURDERS. 401 00:20:27,643 --> 00:20:29,937 IF ANYONE SEES HER, DO NOT ENGAGE. 402 00:20:29,937 --> 00:20:35,068 CONTACT YOUR LOCAL AUTHORITIES OR THE FBI IMMEDIATELY. 403 00:20:35,068 --> 00:20:36,944 HEY. WE FOUND ANOTHER CLAIRE. 404 00:20:36,944 --> 00:20:38,112 SHE'S IN PROTECTION. 405 00:20:38,112 --> 00:20:39,488 THAT MEANS JUST ONE STILL OUT THERE. 406 00:20:39,488 --> 00:20:42,700 THERE'S SOMETHING TOO PEDESTRIAN ABOUT THIS. 407 00:20:42,700 --> 00:20:45,327 WHY WOULD JOE CALL ME UP AND FORESHADOW 408 00:20:45,327 --> 00:20:46,537 WHAT HE WAS UP TO? 409 00:20:46,537 --> 00:20:47,747 HE CAN'T HAVE CLAIRE. 410 00:20:47,747 --> 00:20:48,915 HE WANTS TO PUNISH YOU FOR IT. 411 00:20:48,915 --> 00:20:50,208 THIS ISN'T ABOUT ME AT ALL. 412 00:20:50,208 --> 00:20:52,210 MAYBE HE'S TRYING TO LURE HER OUT 413 00:20:52,210 --> 00:20:54,628 BECAUSE I'M TELLING YOU IF SHE KNOWS THIS IS HAPPENING 414 00:20:54,628 --> 00:20:56,214 SHE WILL OFFER HERSELF UP. 415 00:20:56,214 --> 00:20:57,506 BUT SHE DOESN'T. 416 00:20:57,506 --> 00:20:59,425 SHE'S NOT SEEING IT. I BELIEVE NICK. 417 00:20:59,425 --> 00:21:02,428 SHE HAS NO MEDIA ACCESS. 418 00:21:02,428 --> 00:21:04,055 I HOPE YOU'RE RIGHT. 419 00:21:08,475 --> 00:21:11,104 Donovan: AMANDA PORTER KILLS HER HUSBAND AND HIS MISTRESS 420 00:21:11,104 --> 00:21:12,730 IN A SINGLE ACT OF RAGE. 421 00:21:12,730 --> 00:21:15,149 HOW DOES SHE ESCALATE TO MISSION KILLER ON A MURDER SPREE? 422 00:21:15,149 --> 00:21:16,692 YOU GOT ADD THE CULT COMPONENT. 423 00:21:16,692 --> 00:21:18,986 THIS HIS HER CHAPTER OF JOE CARROLL'S PLAYBOOK. 424 00:21:18,986 --> 00:21:20,154 I MEAN, LOOK AT THESE MURDERS. 425 00:21:20,154 --> 00:21:21,697 THEY'RE PUBLIC STATEMENTS. 426 00:21:21,697 --> 00:21:23,824 THIS GUY IS BIG ON THEATRICS. 427 00:21:23,824 --> 00:21:26,077 LOOK AT THE WEAPONS. THEY'RE LIKE PROPS-- 428 00:21:26,077 --> 00:21:29,122 SPEAR GUN, GARROTE, EVEN HE USES AN ICE PICK. 429 00:21:29,122 --> 00:21:33,209 THIS IS A CULT MEMBER WHO'S USING HER LEADER'S PLAYBOOK 430 00:21:33,209 --> 00:21:37,504 COMPLETE WITH... ROMANTIC UNDERPINNINGS. 431 00:21:37,504 --> 00:21:39,006 "LOVE HURTS." 432 00:21:44,470 --> 00:21:46,764 YOU'VE GOT TO GET HIM TO A HOSPITAL, JACOB. 433 00:21:46,764 --> 00:21:49,349 YOU'RE JUST WORRIED DAD'S GONNA COME HOME AND SEE ME, AREN'T YOU? 434 00:21:49,349 --> 00:21:50,684 HE'S GOING TO CALL THE POLICE. 435 00:21:50,684 --> 00:21:53,187 DO YOU WANT THAT? YOU'RE A MURDERER. 436 00:21:53,187 --> 00:21:54,647 STOP SAYING THAT, MOM! 437 00:21:54,647 --> 00:21:58,151 I NEVER KILLED ANYONE. 438 00:21:58,151 --> 00:22:00,194 TELL HER. 439 00:22:00,194 --> 00:22:02,280 COME ON. TELL HER THE TRUTH. 440 00:22:13,707 --> 00:22:16,294 A FRIEND OF DAD'S-- THIS WAS BACK IN EL PASO-- 441 00:22:16,294 --> 00:22:17,711 HE WAS A BADASS EX-MARINE. 442 00:22:17,711 --> 00:22:19,421 HE USED TO MAKE FUN OF ME ALL THE TIME, 443 00:22:19,421 --> 00:22:21,757 REALLY LAY IN ON ME, YOU KNOW, ROUGH ME UP. 444 00:22:21,757 --> 00:22:24,135 ONE NIGHT, I JUST HAD ENOUGH. 445 00:22:24,135 --> 00:22:27,554 I CRACKED HIS HEAD, AND I PUSHED HIM DOWN THE STAIRS. 446 00:22:27,554 --> 00:22:29,265 HEH HEH. 447 00:22:29,265 --> 00:22:30,808 I WAS 12. 448 00:22:39,650 --> 00:22:41,194 SO IS THIS AN AUDITION? 449 00:22:41,194 --> 00:22:44,238 YEAH. I MEAN, I GOT TO BE CAREFUL. 450 00:22:44,238 --> 00:22:45,447 WELL, SO DO I. 451 00:22:45,447 --> 00:22:47,950 YOU STAB HER FIRST. 452 00:22:47,950 --> 00:22:50,410 NO, MAN. IT'S ALL YOU. THAT WAS THE DEAL. 453 00:22:50,410 --> 00:22:51,954 HOW DO I KNOW I CAN TRUST THE TWO OF YOU? 454 00:22:51,954 --> 00:22:53,371 HEY. HOW DO I KNOW YOU'RE NOT SETTING ME UP? 455 00:22:53,371 --> 00:22:54,456 WHY WOULD WE DO THAT? 456 00:22:54,456 --> 00:22:56,334 LOOK. I DON'T KNOW. 457 00:22:56,334 --> 00:22:59,045 I'LL FINISH HER OFF. YOU JUST HAVE TO TAKE THE FIRST STAB. 458 00:22:59,045 --> 00:23:02,506 THAT WAY, I KNOW WE CAN TRUST EACH OTHER. 459 00:23:02,506 --> 00:23:03,883 ALL RIGHT? 460 00:23:17,730 --> 00:23:19,857 YOU'VE NEVER KILLED ANYONE. 461 00:23:19,857 --> 00:23:20,941 YES, I HAVE. 462 00:23:20,941 --> 00:23:23,736 THEN DO IT. 463 00:23:23,736 --> 00:23:27,447 HA HA HA! 464 00:23:34,538 --> 00:23:35,998 DOES YOUR LITTLE GIRLFRIEND KNOW? 465 00:23:35,998 --> 00:23:37,250 HONESTY AND TRUST 466 00:23:37,250 --> 00:23:38,251 ARE THE FOUNDATION 467 00:23:38,251 --> 00:23:39,293 OF ALL RELATIONSHIPS. 468 00:23:39,293 --> 00:23:40,627 SCREW YOU, MAN. 469 00:23:40,627 --> 00:23:42,004 TAKE IT EASY. 470 00:23:42,004 --> 00:23:43,839 ALL RIGHT? RELAX. DON'T HYPERVENTILATE. 471 00:23:43,839 --> 00:23:46,926 TAKE A BREATH. HA HA HA! 472 00:23:55,351 --> 00:23:57,978 JACOB'S TELLING THE TRUTH. 473 00:24:02,191 --> 00:24:04,360 HE'S NEVER KILLED ANYONE. 474 00:24:25,672 --> 00:24:27,800 HA HA HA! 475 00:24:38,518 --> 00:24:39,937 YOU BUMMING? 476 00:24:39,937 --> 00:24:42,773 YOU LOOK LIKE YOU'RE BUMMING. 477 00:24:42,773 --> 00:24:46,193 I'M NOT. 478 00:24:46,193 --> 00:24:48,654 WANT TO GET DRUNK? 479 00:24:48,654 --> 00:24:51,282 HOW ARE YOU THE SHERIFF OF A TOWN? 480 00:24:51,282 --> 00:24:54,994 WELL... 481 00:24:54,994 --> 00:24:56,662 FIRST YOU GO TO THE POLICE ACADEMY, 482 00:24:56,662 --> 00:24:57,871 GET YOUR DIPLOMA. 483 00:24:57,871 --> 00:24:59,290 THEY GIVE YOU A GUN. 484 00:24:59,290 --> 00:25:01,167 GET A BADGE, WALK PATROL. 485 00:25:13,346 --> 00:25:16,932 MY FAMILY IS BIG ON PUBLIC SERVICE. 486 00:25:16,932 --> 00:25:18,725 I MEAN, THEY PRACTICALLY PREACHED IT. 487 00:25:18,725 --> 00:25:23,189 MY DAD WAS MILITARY, MOM LOVES HER POLITICS, 488 00:25:23,189 --> 00:25:24,690 BLAH BLAH. 489 00:25:26,650 --> 00:25:28,777 BUT YOU FOUND JOE. 490 00:25:28,777 --> 00:25:30,737 YEAH. 491 00:25:30,737 --> 00:25:34,992 JOE, UH, SPEAKS TO MY CONTRADICTIONS. 492 00:25:37,744 --> 00:25:41,040 WE ALL HAVE OUR GRAY AREAS, EMMA. 493 00:25:41,040 --> 00:25:42,666 FOR INSTANCE, JOE LOVES HIS WIFE, 494 00:25:42,666 --> 00:25:44,918 AND, I MEAN, HE LOVES HIS WIFE, 495 00:25:44,918 --> 00:25:48,047 AND YET HE SLEPT WITH YOU. 496 00:25:51,050 --> 00:25:54,261 YOU NEED TO MIND YOUR OWN BUSINESS. 497 00:25:54,261 --> 00:25:58,724 AND YOU HAVE A BOYFRIEND SOMEWHERE. 498 00:25:58,724 --> 00:26:00,309 AND YOUR BOYFRIEND'S GOT A BOYFRIEND, 499 00:26:00,309 --> 00:26:02,478 AND... 500 00:26:02,478 --> 00:26:06,106 I'D CALL THAT A GRAY AREA, WOULDN'T YOU? 501 00:26:06,106 --> 00:26:07,774 YOU DON'T KNOW ANYTHING ABOUT IT. 502 00:26:07,774 --> 00:26:10,236 ARE YOU EVEN WORRIED ABOUT THEM? 503 00:26:10,236 --> 00:26:11,404 DO YOU EVEN CARE IF WE FIND JACOB? 504 00:26:11,404 --> 00:26:13,155 YES, I CARE! 505 00:26:15,408 --> 00:26:18,077 I LOVE JACOB. 506 00:26:18,077 --> 00:26:19,577 I WANT HIM HERE WITH ME. 507 00:26:19,577 --> 00:26:20,746 REALLY? 508 00:26:20,746 --> 00:26:23,374 I CHECKED YOUR SATELLITE PHONE. 509 00:26:23,374 --> 00:26:25,959 IT'S JUST FULL OF MESSAGES 510 00:26:25,959 --> 00:26:30,423 FROM YOUR LITTLE LOST BOYFRIEND. 511 00:26:30,423 --> 00:26:33,133 "EMMA! 512 00:26:33,133 --> 00:26:36,387 "WHY'D YOU LEAVE, HUH? 513 00:26:36,387 --> 00:26:38,347 "WHY'D YOU LEAVE US? 514 00:26:38,347 --> 00:26:41,475 "I LOVE YOU, EMMA! 515 00:26:41,475 --> 00:26:44,728 PLEASE CALL ME." 516 00:26:56,823 --> 00:27:01,161 SO CARROLL MADE TWO ATTEMPTS TO GET HIS WIFE. 517 00:27:01,161 --> 00:27:02,538 BOTH FAILED. 518 00:27:02,538 --> 00:27:04,748 SO NOW HE'S MAKING PUBLIC STATEMENTS? 519 00:27:04,748 --> 00:27:09,253 WHY? TO GET AT YOU? 520 00:27:09,253 --> 00:27:10,963 THAT'S WHAT HE WANTS ME TO THINK. 521 00:27:10,963 --> 00:27:13,631 I THINK HE'S SPEAKING DIRECTLY TO CLAIRE. 522 00:27:13,631 --> 00:27:17,052 I THINK HE'S TRYING TO REACH HER, TO LURE HER OUT OF PROTECTIVE CUSTODY. 523 00:27:17,052 --> 00:27:18,636 THAT HASN'T HAPPENED. 524 00:27:18,636 --> 00:27:21,599 I HAVE CONFIRMATION SHE IS NOT AWARE OF THIS. 525 00:27:23,934 --> 00:27:26,520 JUST SPOKE WITH THE ROOMMATE OF OUR MISSING CLAIRE MATTHEWS. 526 00:27:26,520 --> 00:27:28,772 SHE'S A STUDENT AT THURMAN COMMUNITY. 527 00:27:28,772 --> 00:27:31,108 THE ROOMMATE SAYS SHE'S AT SOME SCHOOL FESTIVAL JUST OFF CAMPUS. 528 00:27:31,108 --> 00:27:32,318 SHE LEFT HER CELL PHONE AT HOME, 529 00:27:32,318 --> 00:27:33,319 SO THEY CAN'T REACH HER. 530 00:27:33,319 --> 00:27:34,487 LET'S GO. 531 00:27:34,487 --> 00:27:35,737 CALL AHEAD AND NOTIFY LOCAL POLICE. 532 00:27:35,737 --> 00:27:37,739 GET EVERY AVAILABLE AGENT THERE NOW. 533 00:27:43,162 --> 00:27:45,038 THE E-MAIL WORKED. 534 00:27:45,038 --> 00:27:46,664 RODERICK JUST SENT US AN ADDRESS. 535 00:27:46,664 --> 00:27:48,750 THEY'RE GONNA MEET US AND TAKE US TO THE OTHERS. 536 00:27:52,670 --> 00:27:54,881 YOUR FATHER'S GONNA BE HERE IN 5 MINUTES. 537 00:27:54,881 --> 00:27:56,634 YOU HAVE TO LEAVE NOW. 538 00:27:59,677 --> 00:28:01,472 I NEED TO GET YOU OUT OF HERE. 539 00:28:01,472 --> 00:28:03,516 COME ON. COME ON. 540 00:28:03,516 --> 00:28:04,766 NO, NO. 541 00:28:04,766 --> 00:28:05,767 COME ON. WE HAVE TO GO. 542 00:28:05,767 --> 00:28:08,395 NO, NO. 543 00:28:08,395 --> 00:28:10,772 NO, NO. YOU GO. 544 00:28:10,772 --> 00:28:12,232 DAD'S GONNA CALL THE POLICE. WE NEED TO GO. 545 00:28:12,232 --> 00:28:13,275 YOU OWE ME. 546 00:28:13,275 --> 00:28:14,485 WHAT ARE YOU TALKING ABOUT? 547 00:28:14,485 --> 00:28:15,861 I'M NOT JUST GONNA LEAVE YOU HERE. 548 00:28:15,861 --> 00:28:17,154 JUST GO. 549 00:28:17,154 --> 00:28:18,447 I WOULDN'T DO THAT TO YOU. COME ON. 550 00:28:18,447 --> 00:28:19,739 YOU OWE ME. 551 00:28:19,739 --> 00:28:21,867 WHAT ARE... 552 00:28:21,867 --> 00:28:23,701 YOU OWE ME. 553 00:28:26,079 --> 00:28:27,498 Paul: WHAT THE HELL'S WRONG WITH YOU, MAN? 554 00:28:27,498 --> 00:28:28,790 Jacob: I CAN'T BELIEVE THAT JUST HAPPENED. 555 00:28:28,790 --> 00:28:31,210 I MEAN--I MEAN, THE WAY YOU JUST-- 556 00:28:31,210 --> 00:28:32,794 DID YOU SEE HER EYES? 557 00:28:32,794 --> 00:28:34,046 DID YOU SEE HER EYES? 558 00:28:34,046 --> 00:28:35,297 HEY, HEY. TAKE IT EASY. 559 00:28:35,297 --> 00:28:36,465 HEY. COME HERE. 560 00:28:36,465 --> 00:28:40,260 IT'S OK, IT'S OK, IT'S OK. 561 00:28:42,012 --> 00:28:43,597 IT'S OK. 562 00:28:50,688 --> 00:28:53,065 ALL RIGHT? 563 00:28:53,065 --> 00:28:56,485 EMMA'S--EMMA'S GONNA HATE ME. 564 00:28:56,485 --> 00:28:57,570 SHE DOESN'T KNOW ABOUT THIS. 565 00:28:57,570 --> 00:28:58,778 SHE'LL HATE ME! 566 00:28:58,778 --> 00:29:00,280 WE'RE NOT GONNA TELL HER. 567 00:29:04,326 --> 00:29:09,081 WHY WOULD YOU DO THAT FOR ME? 568 00:29:09,081 --> 00:29:10,708 BECAUSE I LIKE YOU. 569 00:29:10,708 --> 00:29:15,629 I MEAN, YOU'RE A GOOD GUY. 570 00:29:15,629 --> 00:29:17,381 BESIDES, NOW YOU OWE ME. 571 00:29:22,135 --> 00:29:23,262 ALL RIGHT? 572 00:29:23,262 --> 00:29:24,846 ALL RIGHT. 573 00:29:24,846 --> 00:29:26,515 HA HA HA! 574 00:29:26,515 --> 00:29:29,059 PLEASE. 575 00:29:29,059 --> 00:29:31,937 I WANT MY LIFE TO MEAN SOMETHING. 576 00:29:31,937 --> 00:29:35,733 THAT'S--THAT'S REALLY ALL I EVER WANTED. 577 00:29:39,612 --> 00:29:43,657 IT'S PERFECT. IT'S PERFECT. 578 00:29:46,159 --> 00:29:48,287 YOU CAN DO THIS. 579 00:29:48,287 --> 00:29:50,205 YOU CAN DO IT. 580 00:29:57,379 --> 00:29:59,047 JACOB. 581 00:30:01,467 --> 00:30:02,842 THANK YOU. 582 00:30:06,472 --> 00:30:09,057 I LOVE YOU. 583 00:30:13,937 --> 00:30:20,152 Woman: ♪ I WOULD WATCH AS YOU WERE SLEEPING ♪ 584 00:30:20,152 --> 00:30:22,613 ♪ TO MAKE SURE YOU WERE WILL STILL BREATHING ♪ 585 00:30:22,613 --> 00:30:26,366 I'M SORRY. I'M SORRY. 586 00:30:26,366 --> 00:30:28,952 ♪ YOU WERE SO FAST WITHOUT SEEING ♪ 587 00:30:28,952 --> 00:30:30,412 I'M SORRY. 588 00:30:33,039 --> 00:30:36,834 ♪ THIS ETERNAL YOUTH IS FLEETING ♪ 589 00:30:36,834 --> 00:30:44,092 ♪ OH, TAKE CARE OF MY BABY ♪ 590 00:30:44,092 --> 00:30:50,474 ♪ TAKE CARE OF MY BABY ♪ 591 00:30:50,474 --> 00:30:56,438 ♪ TAKE CARE OF MY BABY ♪ 592 00:30:56,438 --> 00:31:07,366 ♪ I DON'T THINK HE CAN DO IT HIMSELF ♪ 593 00:31:14,998 --> 00:31:16,500 Donovan: WE'RE LOOKING FOR CLAIRE MATTHEWS, 594 00:31:16,500 --> 00:31:20,295 22, DARK BROWN HAIR, 5'8", 595 00:31:20,295 --> 00:31:22,297 LAST SEEN WEARING A BLUE JACKET AND JEANS. 596 00:31:22,297 --> 00:31:24,007 CANVASS THE ENTIRE BLOCK. 597 00:31:24,007 --> 00:31:26,092 EVERYONE STAY IN CONSTANT RADIO CONTACT. 598 00:31:26,092 --> 00:31:27,511 LET'S MOVE! 599 00:31:31,264 --> 00:31:34,267 HEY. I'M STEVE. WHAT'S YOUR NAME? 600 00:31:34,267 --> 00:31:35,686 CLAIRE. 601 00:31:35,686 --> 00:31:37,563 LET'S SEE YOUR FACE. 602 00:31:39,690 --> 00:31:40,982 COME ON. 603 00:32:02,337 --> 00:32:05,799 HEY. I SPOTTED LOUISE JUST SOUTH OF THE DANCE FLOOR. 604 00:32:05,799 --> 00:32:07,467 I'M IN PURSUIT. 605 00:32:14,933 --> 00:32:16,017 Steve: DON'T I KNOW YOU? 606 00:32:16,017 --> 00:32:18,019 I DON'T THINK SO. 607 00:32:18,019 --> 00:32:20,063 IS YOUR LAST NAME MATTHEWS? 608 00:32:20,063 --> 00:32:21,356 HOW DID YOU KNOW THAT? 609 00:32:21,356 --> 00:32:23,233 THE POLICE ARE LOOKING FOR YOU. 610 00:32:23,233 --> 00:32:27,320 HANG ON. LET ME PULL IT UP. 611 00:32:27,320 --> 00:32:31,032 THEY SAY SHE'S KILLING PEOPLE NAMED CLAIRE MATTHEWS. 612 00:32:31,032 --> 00:32:33,660 YOU SHOULD FIND A COP OR SOMETHING. 613 00:32:43,503 --> 00:32:44,838 THAT'S HER. 614 00:32:44,838 --> 00:32:46,381 GET OUT OF HERE! 615 00:32:48,467 --> 00:32:49,676 LEAVE HER ALONE. 616 00:32:49,676 --> 00:32:53,555 AW. WHAT DO WE HAVE HERE--MR. HELPER? 617 00:32:59,686 --> 00:33:01,396 RYAN, DO YOU STILL HAVE LOUISE? 618 00:33:01,396 --> 00:33:03,774 I LOST HER. 619 00:33:03,774 --> 00:33:09,154 HEY. I GOT SOMEBODY HURT HERE BY THE FERRIS WHEEL. 620 00:33:09,154 --> 00:33:10,988 I NEED SOME BACKUP NOW! 621 00:33:22,167 --> 00:33:25,378 HELP ME! THERE'S A WOMAN WHO WANTS TO KILL ME! 622 00:33:32,051 --> 00:33:33,637 HELP ME! HELP ME! HELP ME, PLEASE! 623 00:33:33,637 --> 00:33:35,722 WHOA, WHOA, WHOA. MISS MATTHEWS? 624 00:33:35,722 --> 00:33:37,808 YEAH. 625 00:33:37,808 --> 00:33:39,768 IT'S OK. YOU'RE GONNA BE FINE. 626 00:33:39,768 --> 00:33:42,061 JUST STAY HERE. 627 00:33:42,061 --> 00:33:44,439 ALL AVAILABLE UNITS, I HAVE CLAIRE MATTHEWS. 628 00:33:44,439 --> 00:33:46,984 I HAVE CLAIRE MATTHEWS AT THE FESTIVAL EXIT. 629 00:33:54,992 --> 00:33:56,618 HELP ME! 630 00:33:57,744 --> 00:34:01,414 STOP RIGHT THERE! HANDS IN THE AIR! 631 00:34:01,414 --> 00:34:05,377 DROP THE WEAPON! 632 00:34:05,377 --> 00:34:07,295 AND IF I REFUSE? 633 00:34:07,295 --> 00:34:09,255 I WILL SHOOT YOU DEAD. 634 00:34:09,255 --> 00:34:10,966 I DON'T THINK YOU HAVE THE-- 635 00:35:14,988 --> 00:35:16,531 AAH! 636 00:35:18,283 --> 00:35:19,492 AGH! 637 00:35:22,245 --> 00:35:24,456 Claire: SHE'S AFTER ME! 638 00:35:32,130 --> 00:35:33,924 CLAIRE. CLAIRE. 639 00:35:33,924 --> 00:35:35,383 Amanda: SHE'S RIGHT HERE. 640 00:35:45,226 --> 00:35:46,269 Amanda: DROP THE GUN, RYAN. 641 00:35:46,269 --> 00:35:48,021 DO IT! 642 00:35:54,193 --> 00:35:55,236 DON'T HURT HER. 643 00:35:55,236 --> 00:35:57,363 KICK IT AWAY NOW! 644 00:35:59,324 --> 00:36:00,993 LET HER GO. 645 00:36:00,993 --> 00:36:01,952 NO, RYAN. 646 00:36:01,952 --> 00:36:03,453 IT DOESN'T WORK THAT WAY. 647 00:36:03,453 --> 00:36:06,623 SHE HAS TO DIE BECAUSE YOU HAVE TO BE PUNISHED. 648 00:36:06,623 --> 00:36:08,959 YOU SLEPT WITH JOE'S WIFE, 649 00:36:08,959 --> 00:36:11,461 AND BETWEEN YOU AND ME, I DON'T TAKE THAT LIGHTLY. 650 00:36:11,461 --> 00:36:12,921 LET HER GO! THAT'S NOT JOE'S WIFE! 651 00:36:12,921 --> 00:36:14,923 IT'S A FREAKING METAPHOR, RYAN! 652 00:36:19,427 --> 00:36:21,179 TELL THEM TO STAY BACK. 653 00:36:21,179 --> 00:36:23,348 BACK, BACK. STAY BACK, STAY BACK. 654 00:36:23,348 --> 00:36:25,892 OK. 655 00:36:25,892 --> 00:36:27,936 NOW YOU GOT TO LET HER GO. 656 00:36:27,936 --> 00:36:31,523 HEY. KILL ME. 657 00:36:31,523 --> 00:36:33,733 NO. I HAVE TO KILL HER. 658 00:36:33,733 --> 00:36:35,318 LOVE HURTS, RYAN. 659 00:36:35,318 --> 00:36:36,528 THAT'S THE THEME HERE. 660 00:36:36,528 --> 00:36:38,155 JOE CARROLL GETS A HAPPY ENDING! 661 00:36:38,155 --> 00:36:40,991 YOU DON'T GET ONE. CHEATERS DON'T GET HAPPY ENDINGS! 662 00:36:40,991 --> 00:36:42,659 MY HUSBAND DIDN'T GET ONE! 663 00:36:42,659 --> 00:36:45,829 YOU'RE RIGHT. IT WAS A MISTAKE. 664 00:36:45,829 --> 00:36:48,832 I--I--I SHOULDN'T HAVE DONE IT. 665 00:36:48,832 --> 00:36:50,083 THEN WHY DID YOU? 666 00:36:50,083 --> 00:36:51,292 PLEASE, PLEASE JUST LET HER GO. 667 00:36:51,292 --> 00:36:53,712 WHY? WHY DID YOU DO IT? 668 00:36:58,967 --> 00:37:00,802 BECAUSE I LOVE HER. 669 00:37:03,889 --> 00:37:06,725 THANK YOU. 670 00:37:06,725 --> 00:37:08,643 THAT WAS VERY HONEST. 671 00:37:08,643 --> 00:37:11,146 AND NOW... 672 00:37:11,146 --> 00:37:13,606 YOU GOT TO DO SOMETHING FOR ME 673 00:37:13,606 --> 00:37:16,568 BECAUSE YOU'RE RIGHT. 674 00:37:16,568 --> 00:37:18,737 I DO... 675 00:37:18,737 --> 00:37:22,365 I NEED TO BE PUNISHED. 676 00:37:22,365 --> 00:37:24,117 COME ON. JUST KILL ME... 677 00:37:24,117 --> 00:37:25,118 STAY BACK. 678 00:37:25,118 --> 00:37:27,495 BECAUSE I STILL LOVE HER, 679 00:37:27,495 --> 00:37:31,290 AND I CAN'T UNLOVE HER. 680 00:37:31,290 --> 00:37:33,710 THE ONLY WAY THAT YOU AND JOE 681 00:37:33,710 --> 00:37:35,879 ARE GONNA GET A HAPPY ENDING 682 00:37:35,879 --> 00:37:39,257 IS IF YOU KILL ME. 683 00:37:39,257 --> 00:37:42,177 SO COME ON. JUST DO IT. 684 00:37:42,177 --> 00:37:46,347 JUST...TAKE THAT NAIL GUN, 685 00:37:46,347 --> 00:37:48,141 SHOOT ME RIGHT IN THE HEAD. 686 00:37:48,141 --> 00:37:50,810 YOU CAN DO IT. COME ON. 687 00:37:50,810 --> 00:37:52,187 I KNOW YOU CAN. 688 00:37:52,187 --> 00:37:54,439 DO IT NOW. 689 00:37:54,439 --> 00:37:56,775 NOW. NOW! 690 00:37:56,775 --> 00:37:59,569 NO! OHH! AAH! 691 00:37:59,569 --> 00:38:01,821 NO! NO! 692 00:38:14,667 --> 00:38:16,962 Roderick: RYAN HARDY'S PROVEN TO BE MORE OF A CHALLENGE 693 00:38:16,962 --> 00:38:18,379 THAN I THOUGHT. 694 00:38:18,379 --> 00:38:20,757 EH. I WOULDN'T UNDERESTIMATE THAT MAN. 695 00:38:20,757 --> 00:38:24,510 I MADE THAT MISTAKE ONCE. 696 00:38:24,510 --> 00:38:27,222 WHAT HAPPENED? 697 00:38:27,222 --> 00:38:29,682 LOUISE IS DEAD. 698 00:38:29,682 --> 00:38:30,767 OH. 699 00:38:30,767 --> 00:38:32,852 AMANDA'S IN FEDERAL CUSTODY. 700 00:38:32,852 --> 00:38:35,480 THAT IS UNFORTUNATE. 701 00:38:35,480 --> 00:38:37,065 I'M SORRY ABOUT LOUISE. 702 00:38:37,065 --> 00:38:39,484 I KNOW SHE WAS IMPORTANT TO YOU. 703 00:38:42,279 --> 00:38:43,738 NOT REALLY. 704 00:38:45,198 --> 00:38:48,326 MAYBE. I DON'T KNOW. 705 00:38:48,326 --> 00:38:49,786 THERE IS GOOD NEWS. 706 00:38:49,786 --> 00:38:51,913 AT NOON TODAY, FBI AGENT NICK DONOVAN 707 00:38:51,913 --> 00:38:54,582 MADE AN ENCRYPTED CELL PHONE CALL TO QUANTICO, VIRGINIA, 708 00:38:54,582 --> 00:38:57,210 CHECKING THE STATUS OF CLAIRE MATTHEWS. 709 00:38:57,210 --> 00:38:59,171 WE DECIPHERED THAT ENCRYPTION. 710 00:38:59,171 --> 00:39:01,589 AND WHAT DID YOU FIND? 711 00:39:01,589 --> 00:39:02,882 WELL, CALL WAS TRANSFERRED 712 00:39:02,882 --> 00:39:04,467 TO SEVERAL BUREAU OFFICES 713 00:39:04,467 --> 00:39:06,385 BEFORE IT WAS FINALLY TRANSFERRED 714 00:39:06,385 --> 00:39:08,096 TO U.S. MARSHAL SCOTT TURNER, 715 00:39:08,096 --> 00:39:11,057 CURRENTLY IN CHARGE OF PERSONAL SECURITY FOR CLAIRE. 716 00:39:11,057 --> 00:39:12,309 WE WERE ABLE TO NARROW HER LOCATION 717 00:39:12,309 --> 00:39:15,103 TO THE NEAREST CELL PHONE TOWER. 718 00:39:15,103 --> 00:39:21,318 YOUR WIFE IS IN HUNTINGTON COUNTY, PENNSYLVANIA. 719 00:39:21,318 --> 00:39:22,777 OH. THAT... 720 00:39:22,777 --> 00:39:27,490 THAT IS EXCELLENT WORK, MY FRIEND. 721 00:39:29,159 --> 00:39:30,869 I WANT TO INTERVIEW AMANDA FIRST THING IN THE MORNING. 722 00:39:30,869 --> 00:39:32,996 AGENT DONOVAN SAID THAT WASN'T GONNA HAPPEN. 723 00:39:32,996 --> 00:39:34,206 YEAH. WELL, WE COULD BREAK HER. 724 00:39:34,206 --> 00:39:35,623 THING ABOUT JOE'S CULT MEMBERS, 725 00:39:35,623 --> 00:39:38,043 THEY DON'T COME TO THIS PARTY SANE. 726 00:39:38,043 --> 00:39:39,460 WE JUST GOT TO SPEAK THEIR OWN LANGUAGE. 727 00:39:39,460 --> 00:39:41,504 LOOK. I AGREE WITH YOU, BUT DIRECTOR FRANKLIN 728 00:39:41,504 --> 00:39:43,631 ORDERED THAT SHE BE TRANSFERRED TO D.C. 729 00:39:43,631 --> 00:39:46,634 THEY'RE QUESTIONING HER AT HEADQUARTERS. 730 00:39:46,634 --> 00:39:48,469 YOU'RE KIDDING ME. 731 00:39:48,469 --> 00:39:50,180 THEY'RE MOVING THE WHOLE INVESTIGATION THERE. 732 00:39:50,180 --> 00:39:51,472 THEY'RE TAKING THE LEAD. 733 00:39:51,472 --> 00:39:52,765 HOW DO YOU FEEL ABOUT THAT? 734 00:39:54,309 --> 00:39:55,601 LIKE A FAILURE. 735 00:40:00,606 --> 00:40:03,609 HEY. YOU'RE NOT. 736 00:40:07,906 --> 00:40:13,078 SO ALL THAT STUFF RYAN WAS SAYING TONIGHT ABOUT CLAIRE MATTHEWS-- 737 00:40:13,078 --> 00:40:15,121 HE'S STILL HUNG UP ON HER. 738 00:40:15,121 --> 00:40:17,874 HE LOVES HER. 739 00:40:17,874 --> 00:40:19,458 THAT'S JUST TWISTED. 740 00:40:37,310 --> 00:40:41,439 Woman: ♪ HERE UP WITH THE NOISES ♪ 741 00:40:41,439 --> 00:40:45,777 ♪ FROM THE DARK DEPTHS ♪ 742 00:40:48,821 --> 00:40:53,285 ♪ STOP SCREAMING CURSES ♪ 743 00:40:53,285 --> 00:40:57,163 ♪ ON THE COLD DAY ♪ 744 00:41:06,923 --> 00:41:10,260 WERE YOU EXPECTING SOMEONE ELSE? 745 00:41:10,260 --> 00:41:12,220 JOE MAYBE? 746 00:41:12,220 --> 00:41:13,471 WHAT IS IT? 747 00:41:13,471 --> 00:41:15,140 WELL JOE'S A LITTLE BUSY RIGHT NOW, 748 00:41:15,140 --> 00:41:17,142 BUT I'VE BEEN LOOKING FOR YOU. 749 00:41:17,142 --> 00:41:19,477 AND YOU FOUND ME. 750 00:41:19,477 --> 00:41:21,229 WHAT IS IT I CAN DO FOR YOU? 751 00:41:21,229 --> 00:41:25,691 EARLIER I RECEIVED A VERY EXCITING E-MAIL, 752 00:41:25,691 --> 00:41:28,611 AND I WANTED TO TELL ABOUT IT, 753 00:41:28,611 --> 00:41:30,363 BUT I THOUGHT I'D SURPRISE YOU. 754 00:41:35,118 --> 00:41:38,121 SO FOLLOW ME. 755 00:41:38,121 --> 00:41:41,458 ♪ IT STARTS TURNING IT UP ♪ 756 00:41:41,458 --> 00:41:45,378 ♪ THIS IS IT ♪ 757 00:41:45,378 --> 00:41:49,382 ♪ THE SOUND IS MOVING IN ♪ 758 00:41:49,382 --> 00:41:53,178 ♪ NOW I'M SHOUTING ALL ♪ 759 00:41:53,178 --> 00:41:57,098 ♪ THIS IS IT ♪ 760 00:41:57,098 --> 00:41:58,433 ♪ THE SOUND IS MOVING IN... ♪ 761 00:41:58,433 --> 00:42:02,187 HELLO, EMMA.